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h. der letzte eintrag von missis voy ist vom 5.7.2003. wird also zeit zum aktualisieren. vielleicht so, aus dem »New Yorker«:
[...]
"The crowd’s many-voiced sound had an indoor intimacy, like the bright murmur in a theatre, during intermission, when the play is good and everybody knows that everybody knows it. The over-all social effect, which was somewhat like that of an electrical blackout or a major blizzard, minus the inconvenience, was weird and terrific. (You could give yourself a nice scare imagining “The Gates” magically removed, and leaving the people looking as they looked—a goofball “Night of the Living Dead.”) The voluble disaffection of the art critic, me, collapsed, to the relief of my companions. I had to admit the reason for it, which was that “The Gates” is a populist affront to the authority of art critics, and to accept being just another shuffling, jostling, helplessly chummy citizen.
[...]
“The Gates” succeeds precisely by being, on the whole, a big nothing."
Peter Schjeldahl
klingt etwas nach sloterdijkpseudo, isser aber wohl nicht.
gefällt mir immer besser und trägt er sich mit dem gedanken eines abbonements...
http://www.newyorker.com/talk/content/index.ssf?050228ta_talk_radosh
sehr schön prononciert auch das »online filmfile«
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